Born in Israel in 1951, Boaz Vaadia is an internationally known sculptor who works primarily in stone and bronze. Vaadia moved to New York in 1975 and his studio is located in Williamsburg Brooklyn. Growing up on a farm in Gat Rimon, Israel, Boaz Vaadia was inspired by the nature around him. Vaadia says of…
EP 46: David’s one way ticket is to this Hamptons enclave.
For over 20 years, David Scott has served as the Principal and Founder of his New York based design firm, David Scott Interiors, LTD. He designs visually stimulating, yet highly functional interiors that gracefully meld practical architecture with unique design. His style blends the timeless elegance of the past with the verve of the present,…
EP 44: Amy’s one way ticket takes her to these two pivotal moments in art history.
Amy Weiskopf is known for her uniquely composed still lifes that bring together unexpected objects in an array of shapes, sizes and textures. Her canvases are brought to life by these distinct groupings and via sublime uses of color and shading. Amy Weiskopf’s work can be found in numerous public and private collections including New…
EP 40: Harrison’s one way ticket is to this state we’d all hope to achieve.
Harrison Love began his study of painting as a mode of communication. He developed as a realist painter first, building a foundation to best convey his thoughts and dreams. While his focus at the Rhode Island School of Design from which he graduated in 2008 was the allegorical medium of illustration, the kinds of art…
EP 35: Miller’s one way ticket is to watch this impressionist artist in action.
Miller Gaffney has a wide-ranging background in the art world, having worked with leading auction houses, commercial galleries, artists, museums, and information-providers for art collectors. She began her career with L’Antiquaire & The Connoisseur on New York’s East 73rd Street where her responsibilities included assisting in the purchase of artworks and antiques on behalf of…
EP 32: Jordan’s one way ticket defies description!
Blood, procured from a slaughterhouse, is the primary medium in Jordan Eagles’s works. Through his experimental, invented process, he encases blood in plexiglass and UV resin. This preservation technique permanently retains the organic material’s natural colors, patterns, and textures. The works become relics of that which was once living, embodying transformation, regeneration and an allegory of…